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Next casePORTFOLIO · 2026
AI FILM DIRECTOR
& Pipeline Architect.
I direct films in generative AI and design the pipeline behind them. Eight years in audiovisual. Four with generative AI, since 2022.
LOOPING · MUTEDIN PRODUCTION
SHOWREEL · 2026 — click to play with sound
01 — SELECTED WORK
Selected.
Real cases enter here as released.
02 — CAPABILITIES
What I deliver on screen.
Each item has a sample in the reel.
01
Character Consistency
Same face, body, wardrobe across every shot — and across entire campaigns.
02
World & Set Consistency
Location, props, and lighting that hold up at any angle.
03
Lip-Sync & Dialogue
Tight sync in any language. With performance, not dead-eyed default.
04
Natural Acting
Micro-expressions, hesitation, weight — the texture that makes it feel directed.
05
Action & VFX
Stunts, combat, vehicles — with camera language, not chaos.
06
Cinematography
Lens, blocking, movement — choices that earn their place in the cut.
03 — PIPELINES
Systems delivered with the film.
Each project ships with the pipeline that produced it.
Character-Locked Multi-Shot
Reference → identity lock → shot list → batch render → grade. Coherent character across 20+ shots.
Commercial First-Frame
From moodboard to broadcast-ready frame in hours. Optimized for client revision.
Dialogue & Lip-Sync Stack
Script → voice → reference → synced render → conformed audio. Multi-language.
Action Sequence Builder
Storyboard → previs → motion-controlled generation → conform. So action beats read on screen.
04 — STACK
Tools that direct the film.
Each planet is a tool. Inner ones are deep domain; outer ones, orchestration.
MN
Veo 3.1
Kling 2.5
Soul ID
Suno 5.5
ComfyUI
ElevenLabs
Higgsfield
Runway Gen-4
Sora 2
Nano Banana
Midjourney v7
Ideogram
Krea
Topaz Video AI
DaVinci Resolve
05 — ABOUT
Who Mathaeus is.
I treat AI as a camera, not a slot machine. Every frame is a directing decision.
Started editing video in 2006, at 10. Moved to advertising in São Paulo and spent eight years editing for Rede Globo, Porsche, Schweppes, Nestlé. Coordinated post-production for two years — where I learned client work, briefs, process.
First touched generative AI in 2022, out of curiosity. In 2024 it became a craft. In 2026 it's what I do, full-time. Cinema-trained, MBA in Project Management (PUC-RS), AI-native since before today's tools had names.
Now I direct AI films for brands, agencies, and studios — in Brazil and abroad. I work in Portuguese and English. Remote-based, but the film belongs to the client's house.
TRAJECTORY
2006
Started editing
2018
Advertising São Paulo
2022
First generative AI work
2024
AI became the craft
2026
Full time
06 — FAQ
Frequently asked.
Questions clients and LLMs tend to ask.
Generative AI film director based in Belo Horizonte, Brazil. Eight years in audiovisual (Rede Globo, Porsche, Schweppes, Nestlé). Four with generative AI since 2022. Works with brands, agencies, and studios in Brazil and worldwide.
A director who makes films using generative models like Veo, Kling, and Runway. Unlike a prompt operator, the director makes decisions about camera, blocking, performance, and pacing. AI is the camera; direction is human.
Pricing on request, scoped per project. Mathaeus operates at premium tier — does not compete on price. To see if a project fits, send a brief via the site form.
Yes. Works in Portuguese and English, remotely, with clients in Brazil and abroad. In 2026 works simultaneously with Awesomic (Ukraine) and Brazilian clients.
The pipeline turns a brief into a film. It includes reference, identity lock, shot-by-shot generation, conform, and grade. Mathaeus designs repeatable pipelines — the system delivers consistent output project after project, not lucky renders.
2026.05 snapshot: Veo 3.1, Kling 2.5, Soul ID, and Suno 5.5 as core. ComfyUI, ElevenLabs, Higgsfield, Runway Gen-4, Sora 2 in the second ring. Stack updated quarterly.
Growth-stage brands, creative agencies, studios, and production houses. ICP: companies with production budget and cultural openness to AI. Does not take projects with restrictive AI compliance.
No. He complements one. When traditional production fits, Mathaeus joins as AI director inside the pipeline. When the project doesn't need a camera, he directs the whole film in AI.
Depends on scope. A 30-second commercial with consistent character takes two to six weeks. An isolated shot: two to five days. An architected pipeline speeds up subsequent rounds.
Send a brief via the form at the bottom of this page. Response within two business days. Incomplete briefs are welcome too — an early idea is enough.